September 11, 1973
An expression that speaks a thousand words and almost four decades later the emotions are still too raw for many Chileans.
Trees in Fog (Chile, 1939) from Life Magazine photographer John Swope. via: Craig Krull Gallery
While browsing souvenir shops recently, I spotted a few seemingly out of place dolls decorated in a style that definitely didn’t match the more familiar Mapuche.
The bizarre costumes and striking body paint belonged to the Selk’nam people, a nomadic hunter-gatherer tribe who inhabited the southern archipelago of Patagonia in pre-European times.
These Amerindian people (also known as the Ona) dressed up as part of a ritual (‘Hain’) to teach their tribes’ youth that evil spirits would set upon them if they misbehaved. Their history and culture is only scarcely recorded as their fate was sealed upon the arrival of permanent European settlements in the 1800s.
The Selk’nam who first sighted the astonishing craft moving silently along the shore of their island probably built bonfires to signal their neighbours further along the coast and island that something alarming was occurring. Because of the fires seen by Magellan and his crew, the Great Island and all the islands south of the straight were later named ‘Land of the Fire’ (Tierra del Fuego)
Drama and Power in a Hunting Society: The Selk’Nam of Tierra Del Fuego - Anne MacKaye Chapman
From 1880, the Selk’nam were hunted to extinction by sheep-farmers and gold seekers who were rewarded financially upon presentation of a pair of hands or ears, or later a complete skull. The last descendant, Angela Loij, died in 1974.
Last month saw the passing of experimental Chilean photographer Sergio Larraín. This image is a favourite of mine, but his work famously caught the eye of Henri Cartier-Bresson, and saw him earn the role as a contributing photographer for Magnum (gallery).
Larrain was endlessly experimental. One afternoon in the 1950s, he was taking photographs outside Notre Dame in Paris and captured scenes between a couple which he only noticed when he developed the film. This provided the inspiration for Julio Cortázar’s extraordinary 1959 story The Devil’s Drool, which in turn was the basis for Michelangelo Antonioni’s 1966 film Blow-Up. - Guardian
Sergio Larraín, Village of Horcones, Fishermen daughters, 1957
I love this sculpture. Anyone from Chile will instantly recognise the significance of this object - amplified to 50x it’s original size as if to give due weight to its historic importance.
The iconic glasses were formerly worn by Chile’s socialist leader Salvador Allende when he took a fatal bullet to the head during the military coup on September 11, 1973.
2011 saw a number of developments in this 38 year old case. Foremost was the exhumation of Allende’s remains for forensic analysis - to the surprise of no-one the results of the autopsy revealed the former leader had died as the result of a self inflicted gunshot.
Also last year, the family of Allende filed a lawsuit for the return of the AK-47 used in the incident. The rifle was originally seized by the army, but now appears to have been lost in time. It should be easily recognisable due to the gold plate engraved with the words: “To my good friend Salvador from Fidel, who by different means tries to achieve the same goals”.
I love a good mystery, and the thought of this weapon stashed in a locked box in the back of someone’s closet fascinates me to the point of obsession. How much does this weigh on the mind of whomever knows of its location?
The sculpture is located in the Venezuelan Foreign Ministry Office in Caracas. The original glasses are on display here in Santiago at the Museo Historico Nacional.
It is not so widely known that in early 1941, prior to the US entry in WWII, the State Department commissioned Walt Disney to go on a goodwill tour of South America in order to improve relations. This was at a time when the axis powers were taking hold in Latin America and President Roosevelt initiated the Good Neighbor policy in order to reassert US influence.
The story of this tour is captured in the recent documentary Walt & El Grupo, and shows that much of this time was spent in Buenos Aires where a group of Disney artists, writers and musicians set up a studio to work on new material. Of the ten weeks of the tour only five days were spent in Chile.
Out of this trip came an animated feature film in 1942 called Saludos Amigos which featured a cast of anthropomorphic characters representing various nations of the Americas. Chile was represented by Pedro, a small airplane engaged in his very first flight over the Andes to pick up air mail from Mendoza.
Ironically, this did not go over so well with some Chileans, who were no doubt eyeing up Brazil’s colourful depiction of José Carioca and thought the Disney crew could have done better. Oddly, no offense was taken at the official tagline of the film: Walt Disney goes South American in his gayest musical Technicolor feature.
However, it was in response to this somewhat uninspiring character that Chilean cartoonist René Ríos (known as Pepo) created his character Condorito - which is still to this day the most recognizable locally created cartoon character in Chile.
I found this photo of an early Santiago dentist in the fantastic santiagonostalgico Flickr account - a real goldmine of historic nostalgia from Santiago and around Chile.
What caught my attention here is that this photo takes on a dark and terrifying tone when you realise the dental apparatus is a manifestation of El Basilisco.
This is not my first visit to Chile, but having made a six month commitment I’m now learning as much as I can about the country. After only a week here I’ve already noticed the locals appreciating it when I pull out a bit of trivia - particularly the many Germans here who have more than 150 years of settlement in the south and naturally don’t appreciate flippant remarks about their ancestry.
Here are a few things I already know about Chile:
I look forward to adding to this knowledge over the next few months.